Archives for June 2017

Jean Grey #2

jean

Written by Dennis Hopeless / Drawn by Victor Ibanez

After a disappointing first issue that didn’t suggest anything new or fun was going to happen to one of Marvel’s oldest characters in her first solo series, issue 2 ramps up the excitement levels to the point that it feels like an entirely different book – a book written by the same Dennis Hopeless who gave us the wonderful Spider-Woman series which wrapped up at the start of the year.

After sensing that the Phoenix Force is on its way to find her, Jean Grey gets in touch (via Cerebro, naturally) with every previous Phoenix host she can find – which includes established characters like Colossus, newer ones like Quentin Quire and “oh yeah she’s still around!” characters like Hope. Hopeless handles the different interactions  Jean has with each of her fellow mutants deftly, and artist Victor Ibanez clearly had a ball drawing each of them, especially during their chaotic fight with the Reavers. Jean Grey #2 feels like a more genuine celebration of X-Men history than both X-Men Gold and Blue have tried to be since their launch.

Kamandi Challenge #5

kamandi

Written by Bill Willingham / Drawn by Ivan Reis

DC are celebrating the 100th birthday of comics legend Jack Kirby this year by having some of their top creators compete in the Kamandi Challenge. Each issue sees a different writer/art team work on one chapter in the life of Kirby creation Kamandi, the last boy on earth, ending their issue on a cliffhanger that must be solved by the next creative team. It’s been patchy so far, maintaining a sense of fun overall that pays homage to Kirby nicely but rarely offering anything that memorable. That all changes with this phenomenal fifth issue, written by Fables scribe Bill Willingham with art by Ivan Reis – a genuinely top tier creative team.

Willingham ups the stakes for Kamandi almost immediately in this quick moving adventure that feels more packed with development than all the issues prior to this one combined. We meet pirate dogs (literal dogs – Kamandi is a boy surrounded by anthropomorphic animals at all times), lemur mad scientists and a Sherlock Holmes-esque lion detective who almost steals the show – were it not for an incredible, genuinely shocking cliffhanger at the end. I don’t envy the next creative team who have to get Kamandi out of this one. Provided they do, and the Kamandi Challenge finishes as planned at the end of the year, fingers crossed we get more Kamandi adventures from Willingham and Reis, because this was fantastic.

James Bond: Service

Written by Kieron Gillen / Drawn by Antonio Fuso

It’s possible to be a James Bond fan even if you haven’t enjoyed one of his movies in a good 20 years. Warren Ellis made it especially easy last year when he wrote a 12 issue run featuring the character, a genuine surprise from Dynamite comics which saw Ellis modernise the M16 characters from Ian Fleming’s 1950s novels, ignoring the flashiness of the movies and getting to the heart of the character. This was a sharper, more brutal take on 007 – perfectly paired with cold, precise art from Jason Masters.

Since then Dynamite has given us shorter James Bond runs by Andy Diggle and Benjamin Percy but neither have lived up to Warren Ellis’s stint. This week’s new one shot James Bond: Service sees writer Kieron Gillen build nicely on that run, while adding his own signature wit and a risky story that mirrors the current American politic climate. In the most 2017 Bond story ever, America’s new Secretary of State rudely understates the value of Britain before a visit, upsetting one nationalist enough to plan an assassination attempt, which M16 plans to stop.

This well paced one and done story features a rarity for James Bond – having to hunt down a would be assassin who’s British for once – but there’s enough appearances from M16 staple characters to keep the feeling of familiarity. Gillen’s Bond is razor sharp, but there’s a warmth to Gillen’s writing that stops the book from ever feeling as brutal as Ellis’s run did.

Although Antonio Fuso draws a few dodgy faces in the opening, exposition heavy pages, as soon as the action kicks in he’s in his element, keeping the book moving forward as fast a good thriller should. Dynamite should consider releasing more Bond one shots like this, especially if they all get covers as gloriously phallic as this one, drawn by frequent Gillen collaborator Jamie McKelvie.